Tuesday, January 31, 2012

The first five pages of my untitled post-apocalyptic sci fi.

***Edited: These are no longer my first five pages. I have gone through and revised it into something better, though you still get the idea with this old version.


LIFE will cure CANCER.
I scoff at the graffiti marking the side of the decrepit bridge. We’ve only been here a couple times, but it always makes me laugh. A mirthless laugh, of course. Obviously it was written before half of humanity was slaughtered. I still haven’t figured out what cancer is—I assume it was a disease of some sort. Well, LIFE certainly did cure it.
By killing off everyone that had it.
My eyes scan the red spray-painted letters and then survey the surrounding area for any signs of other people. It’s rare, but sometimes you come across rival marauders. Today I’m not in any mood to fight—if we see anyone, we’re running. The buildings in the background look a lot older than they are. They have only been abandoned for about ten years, but it would be easy to mistake them for being centuries-old ruins. We normally don’t venture into the larger buildings, even though they probably have a lot of things we could use to our advantage. Tools, weapons, maybe scraps of food if we looked hard enough. But there could be other things haunting those buildings, judging by the array of the structures. We would rather not find out.  Sometimes it’s better to starve.
The air is thick and rancid around here because of the old river’s residue, but not rancid enough for a gas mask. I have smelled worse things than the black sludge crawling patiently underneath the bridge.
A laugh behind me makes me turn around and my gaze falls on Juno, doubling over into a plastic brown box. It’s blackened and melted in some areas. Looks like it survived a minor fire. It wasn’t here the last time we were. “Jenesis,” she says, her voice slightly echoed by the container. “Look what I found.”
I jaunt toward her and take a look at what she has in her hand. “Wow,” I say, taking it when she offers it to me. I turn through the fragile pages, my fingers gripping the hard cover.  It’s an antique. I didn’t think there were any paper books left—at least not out here.
“Look at the cover,” Juno tells me, her pale green eyes sheening with amusement.
I close the book and brush my obstructing bangs from my sight. How to Survive a Zombie Apocalypse. The laugh I release is different than Juno’s. She was entertained by the title. I find it ironic. This is how we know the world has been predicting zombies centuries before it happened. I’ve heard the old theories—a lot of them were off. Neurological parasites, mutated viruses, violence-inducing prions. All scientifically sound, but nobody considered the “zombie apocalypse” to start from a lack of responsibility on the scientists’ part. They never thought that maybe life itself would bring about the living dead. Not a disease. Not a virus.
Not life, either. Not really. LIFE, to be exact—Lab-Initiated Fabricated Entities. Feigned life. Hostile life.
I drop the book back into the plastic box. Zombies are extinct now. Zombies are no longer the monsters that keep us awake at night, frightened and vulnerable in the darkness. The clatter of the book’s fall accompanies the high-pitched gasp from Juno’s lips, and she stoops into the container to retrieve it. “Don’t treat it so badly,” she says. “We should keep it. It could be worth something.”
“Who’s going to want that?” Nobody, that’s who. It’s hard enough trying to forget the zombies without their remnants haunting every building and infecting every being.
Juno looks at me with wide eyes for a moment, the expression tugging out the child in her, but drops the book back into its original place. She only gives her vulnerable expressions to me. If anybody else were to see her make those faces, they would kill her on the spot—or rape her, depending on their level of sadism—mistaking her for a weak individual. And she is—physically. She’s smaller than I am, tiny bones protruding within her skin, accentuating her hunger. She keeps her platinum hair no longer than the nape of her neck so she can pass as a boy when she needs to. Which is often. She’s pretty; that’s her only problem. But she’s tough. In some ways, a lot tougher than I am. She was able to kill one of her former allies with her bare hands.
My brother had to kill himself because I was too weak to do it for him. I couldn’t shoot a gun for a long time after that. The popping explosion would always bring back the memory of that gaping wound in his head. Even now, somewhere around three years later, I shudder as I recall the blood reaching out along cement as though searching for a new body.
“Look for something more useful,” I instruct Juno. I’m able to. We have decided that I am older, not only because I am so much taller, but because I look older. We don’t know our exact ages, but we made our decisions based on the other’s judgments. When she found me, she said I looked about sixteen. I thought she looked fourteen or fifteen. It’s been over three hundred days since then, so we can safely assume I am seventeen and she is around sixteen.
“There isn’t anything,” she responds, looking around with a hopeless shrug. Her eyes make their way over to what used to be the river. Now it’s just a cement basin, too deep for the slime that runs through it. She’s imagining water. We know what clean water looks like because of the rain—we catch it in cupped palms, glass containers, makeshift bowls. The yellowish color is a lot better than the brown of the rest of this world’s water sources.
I turn away from her and shuffle through a pile of loose rubble—I suspect some people attempted to clean up the city by hiding some of the debris under a bridge. They didn’t get very far before giving up. Less for me to dig through. Last time we were here, I managed to find some metal poles. I used them to keep the doors of our mall permanently locked—the last thing we needed was another stranger raiding through our belongings. There is bound to be another useful object for us to take this time around. I need a new spring for my gun. It jammed the other day and I lost the stupid thing trying to fix it.
“There’s nothing important in this box thing,” Juno says, half to herself. She adopts a new tone when she talks to herself. Slower, a few syllables drawn out. “Could we just empty it and take the box?”
“Yeah, do that.” Boxes can be good. More containers for water. I move through the piles of building fragments. I found the poles here last time, maybe I could find a little spring. I ignore the slim chances of that happening. Behind me, I hear Juno carefully emptying the container, dropping one item to the ground at a time, and I twitch my eyebrows in slight amusement. If it was me, I would have overturned the whole thing and gotten the job done in half a second. But I leave Juno to her odd ways.
Then she stops, and I know it’s not because the box is empty. If it was, she would have dragged it over to where I am and asked what I was doing. But it’s dead quiet all of a sudden; a stillness that cools the air.
“Oh God,” she murmurs.
Panic.  The muscles in my back stiffen.
“Jenesis.”
She’s quiet and collected, but it’s there, the throat-wrenching fear that clobbers her tone. I know what to expect when I turn around, and even as I do, my blood turns into ice water.
It’s on the other side of the mucky river, the transparent silhouette of a girl, as motionless and whist as death. The same fear that strangled Juno’s words attacks me, because I know it’s watching us. There are no eyes, no way of knowing exactly what it’s looking at, just a black face like a shadow against an invisible wall. But Ghosts don’t regularly take form. They are a gaseous mass of cyan vapor, like the glowing pulse exuding from the silhouette’s chest. Where the heart should be, as if these monsters could ever have one. The only time they appear to be anything other than vapor is when they’ve noticed something that strikes their interest.
Only once have I seen a Ghost adopt a human form. Two days before my brother shot himself, I saw one turn into his shadow. Matched his body perfectly.
Now it’s matching Juno’s body.
It sways like it’s deciding on a move, and my insides constrict, my legs getting ready to pounce on Juno if I have to. I am closer to her than the Ghost is. Even though Ghosts are faster, I may be able to beat it. I spare a glance at Juno. The mortification in her face is nearly enough to drive me to run at the Ghost, if only to save her, to give her a chance to run to safety. But I can’t leap out to save her. If I die, who will watch over her?
“Jenesis,” she whispers again. She doesn’t know if I’ve turned around, her eyes frozen on the shaded death in front of her. One hand is poised in the air like she could ever ward off a creature of malignant vapors. The other clasps onto the plastic container, her bony knuckles glowing with her tight grip.
“Juno,” I say, trying to keep my voice calm. I want to tell her not to move, but she’s not stupid. Neither am I. Neither is the Ghost.

Saturday, January 28, 2012

The writing industry. It's like a fluffy parasite.

Sometimes I ask myself why on earth I've chosen to be a writer. But I never chose anything. I never decided as a kid to have stories manifest in my head. I never chose to see the characters as actual people. Writing has never been a choice; it's always been a necessity, a way to harness my overactive imagination. When I was young and now.

There are those moments when I don't like being a writer. What I hate most about it is that everybody is a writer now. Everybody writes books. Everybody's trying to be published. But not everybody is serious about it. A lot of other people have other plans for their life; they have plan B's. I don't know what a plan B is. All I have going for me is my writing. I don't just want to be published. I don't just want people to read my books, to hear my characters' voices, to see the worlds I've created and the lives I've engendered.

I need that. I feel like the longer I go without representation, the longer I must starve for air. Do other non-published writers feel this way? Do other published authors feel this way? I don't know. Maybe I'm just crazy.

But honestly the thing is--how do you pick through the serious writers from the not-so-serious ones? What if I fall under the category of a casual wannabe instead of the real thing? Is that why rejections are so prominent in my life--because agents pick up on that? I don't want them to see that in me. I want them to see that I'm not just a silly young adult trying to get famous like Stephenie Meyer. I'm a silly young adult with a story to tell. And I want people to read it. I want everyone to read it.

This is where the whole scary industry comes in. The fluffy parasite. Fluffy because it seems harmless and easy. "Twilight? I can write a book like that. I can write a book better than that. I can write a YA romance and get it published."

Yes, write a book. Invest time in creating your characters and developing a plot. It's tough work, but it's the easy part. The parasite is the part where you're sending it out. It has entered the world, agents don't like your plot, they don't like your writing, they reject you over and over. Then you find the gem, the agent who likes what you've written (which has yet to happen to me; I'm still waiting), and they send it to editors who tear it apart and alter what they want. You trust them, obviously, because they know better than you do.

But the writing industry is a ruthless world. It's not easy. You can't just write a book and want it to be published. You have to persevere, you have to work, and it's hard. It's hard to maintain confidence after being rejected by someone you were sure was looking for your story. It's hard to keep going when you just want to stop forever. It's hard to read, "Dear Author, I will pass..." for the fiftieth time.

And yet some of us are stupid enough to keep trying, even when silly young adults like me have no place in the writing world. It's just that the parasite is so fluffy and cute, I don't want to put it down.

I've fallen in love.

Thursday, January 26, 2012

I am scared right now.

Adhesions is finished, my book about a girl who finds herself on a seemingly utopian planet. The science fiction story I've been working on for nearly eight years. The final final final draft is done (at least until the editors get a hold of it--IF they do) and I've sent it out to ten agents already. (I know. Ten is not enough.)

One agent responded with interest. But now I'm not sure if it really was interest. I remember querying her (obviously; it was only a week ago), but her agency's website said to send only a query. Like an idiot, I didn't look at the agent's own submission guidelines, in which she asks for the first five pages. I did not send those five pages. She responded to my query requesting them, and like a fool, I mistook it for interest in my book.

But could it still be interest? If she didn't like the idea of the story, if she didn't like my query, she could have responded with a rejection; instead she asked for the five pages I omitted. If she wasn't interested, would she have bothered?

These circling ideas are nauseating. I've waited two days so far for her response (and I totally understand that she has other emails to sort through; I am not a priority), and two days may not seem like a lot, but try holding your breath for 48 hours. Try to focus on something else when your stomach is half sickened with anxiety, half cautious with optimism. Try sleeping while waiting for a dream to potentially come true.

Waiting... waiting... waiting...

Oh yes. Another website on which I can post what I feel.

As if I need another one of those. However, tumblr is for my fandoms, facebook is for my friends, and sometimes I just can't post something short enough for twitter. I needed something to vent about my own writing. So here I am, with no one to listen to me. :]

Wait, that's scary. It's just me and my thoughts on this blog.
I just won't tell myself I said that.